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The Good Place‘s Women Are So Bad, They’re Great

By Sam Riedel Sep 28th
Why Star Trek: Discovery Needs an Environmental Conservation Plotline

By Sam Riedel Sep 27th
Power Play: Why Check, Please! Is Redefining Success in Comics

By Sam Riedel Sep 27th
Ghosts in the Machine: Female Computers in Science Fiction and History

By Sara Goodwin Sep 26th
Our Fair City: A Refreshing, Witty Take on Dystopia

By Vrai Kaiser Sep 25th
Dismantling the Media’s Myths About Schizophrenia

By Sam Riedel Sep 24th
Gravity Falls Rewatch: “Scary-oke”

By Vrai Kaiser Sep 23rd
Salamu’alaykum, Small Screen: The Complicated Role of Arabs in American Television

By Sam Riedel Sep 22nd
Review: The Wicked + The Divine 1831 Is a Gorgeous Twist on the Romantics

By Sam Riedel Sep 21st
Babes in Tropeland: How Alters Shows We Need More Complex Trans Characters in Comics

By Sam Riedel Sep 20th
What Lena Dunham and Amy Schumer Get Wrong About Sexual Assault

By Sam Riedel Sep 19th
Die, Anxiety, Die! How Violent Video Games Aid My Mental Health

By Sam Riedel Sep 18th
Directionless on the Road to Independence: How VA-11 Hall-A’s Cyberpunk Dystopia Celebrates Complicated Women

By Ana Valens Sep 17th
Steven Universe Recap: “Onion Gang”

By Vrai Kaiser Sep 16th
We Pay All of Our Contributors, but We Need Your Help to Keep It Up

By Sam Riedel Sep 15th
“How Dear You Are to Me”: Ranking Carmilla‘s 10 Most Adorable Moments

By Sam Riedel Sep 15th
TIFF Review: The Girl With All the Gifts Finds a New Perspective on Zombies

By Sam Riedel Sep 15th
7 Reasons Why Ultimates Is Comics’ Best Superhero Team Book

By Sam Riedel Sep 14th
Deep Sea Ecologist Rewatches SeaQuest DSV: Episodes 14, 15 and 16

By Sam Riedel Sep 13th
Review: Morgan Is a Clichéd 90-Minute Letdown

By Sam Riedel Sep 13th