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11 Black Science Fiction and Fantasy Authors You Need to Read

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This article originally appeared on The Portalist. It has been republished here with permission.Ā For more from The Portalist,Ā follow them on Facebook.

While we’ve always been avid science fiction and fantasy readers, it’s impossible to overlook one of the genre’s most glaring problemsā€”namely, its predominant whiteness. Luckily, there has been a surge in dialogue regarding this lack of diversity, and more and more voices are being heard, published, and given the praise they deserve. There is still a ways to go before our books reflect the heterogeneity of our off-page lives, but steps have been taken in the right direction.

Below, you’ll find a list of black science fiction and fantasy authors whose work has left, or is currently leaving, a footprint on the genre we all love. It may be Black History Month, but appreciating writers like Octavia E. Butler and Samuel R. Delany should be something we do all year round.

Octavia E. Butler

Parable of the Sower cover

Parable of the Sower

Read any ā€œBest of SF/F” list, and youā€™ll inevitably find Octavia Butlerā€™s nameā€”regardless of race and gender. Butler began writing at the age of ten when, motivated to overcome her dyslexia, she penned a short story that would later become herĀ Patternist series. By college, she was winning writing contests and, again, publishing the first seedling of another classic,Ā Kindred. Raised by her widowed mother in a diverse but segregated Pasadena community, Butler often channelled her own experiences into her fiction. In fact, on the subject of Butlerā€™s iconic novel,Ā Parable of the Sower, author N.K. Jemisin says ā€œshe wrote…the world as it actually is,ā€ offering “futurism” rather than “escapism.”Ā Parablefollows a black 15-year-old refugee who creates a revolutionary philosophy, Earthseed, to ensure the survival of humankind.

Samuel R. Delany

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Dhalgren

William GibsonĀ calledĀ DhalgrenĀ an unsolvable riddleā€”a statement that Delany himself affirms in the video above. But while the novelā€™s complexity was praised by some and scorned by others, its contribution to the science fiction community is indisputable. Drawing from his stint at a mental hospital and the suppression of his homosexuality, Delany usedĀ DhalgrenĀ to portray race, sexuality, and identity in ways the genre had never done before. Itā€™s set in the mind-bending city of Bellona, which becomes a mecca for marginalized individuals after an near-apocalyptic disaster.

Walter Mosley

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Futureland

Walter Mosley has described his science fiction as being about ā€œhow humans want to be very important but, in the end are not very important.ā€ Such is the theme running through his nine-story collection,Ā Futureland, which depicts a society divided by technology and economic wealth. ā€œWhispers in the Darkā€ is about a young POC genius who, because of his intelligence, can be lawfully taken by the government. The final story, ā€œThe Nig in Me,ā€ shows the effects of a virusā€”one created to destroy the black raceā€”that has unexpectedly backfired on its white supremacist engineers. Each story paints a picture of an America that is frightening, but at the same time seems far too close at hand.

Nalo Hopkinson

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Skin Folk

Born in Jamaica and raised in Trinidad, then Canada, Nalo Hopkinson has been heavily influenced by her heritage. With both parents enjoying lit-oriented careersā€”her mother was a library technician and her father, a poet and professorā€”she was introduced to Afro-Caribbean folklore and Western classics at an early age. From her debut,Ā Brown Girl in the Ring, to her World Fantasy Award-winningĀ Skin Folk, Hopkinson infuses her science fiction with a long standing appreciation for Caribbean storytelling, in addition to using it as an avenue for addressing issues of race, class, and sexuality.

Ishmael Reed

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Mumbo Jumbo

Though Ishmael Reed primarily wrote literary fiction, his foray into magical realismā€”this 1972 novelā€”belongs in every fantasy readerā€™s collection. As with all of his work, Reed gives underrepresented African Americans a voiceā€”thoughĀ Mumbo Jumbofeatures a unique twist. The story takes place in an alternate 1920s as a disease, ā€œthe Jes Grew,ā€ sweeps across the nation and “plagues” people with the desire to dance. As white society tries to prevent the epidemic from spreading, another man steps forwardā€”a voodoo priest named PaPa LaBasā€”and tries keep it alive. Reedā€™s ingenious blend of fiction, real history, and light fantasy has made this National Book Award finalist apart of literary criticĀ Harold Bloom’sĀ Western Canon, which includes the 500 most important books in said canon.

N.K. Jemisin

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The Broken Earth Series

This two-time Hugo Award winner hardly needs an introduction, but weā€™ll try anyways: N.K. Jemisin first burst onto the scene in 2010 with her critically-acclaimed short story,Ā ā€œNon-Zero Probabilities,ā€Ā and equally praised novel,Ā The Hundred Thousand Kingdoms. Often compared to the aforementioned Octavia Butler, she has since become the first African American author to take home the ā€œBest Novelā€ Hugo Awardā€”which she won forĀ The Fifth Season. Itā€™s the first installment in a dystopian series that “[focuses] on an oppressive society at the macro scale and what that society does to individuals,” including an impoverished WOC living among privileged whites (New York Times).

Nnedi Okorafor

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Who Fears Death

After a devastating surgery limited her mobility, Nigerian author Nnedi Okorafor swapped her burgeoning track career for writing. It was a successful venture, to say the least. By 2011, she was already the winner of several awards, including the World Fantasy Award for her novelĀ Who Fears Death, whichĀ Publishers WeeklyĀ called ā€œemotionally fraught.” Partly inspired by womenā€™s stories from the War in Darfur, Okorafor sets her tale in post-apocalyptic Sudan where Onyeā€”a ā€œhalf breed,ā€ sorceress, and child of rapeā€”must accept and achieve her terrifying destiny. An adaptation ofĀ Who Fears DeathĀ is alsoĀ in development at HBO, and will be produced by George R.R. Martin.

Sheree R. Thomas

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Dark Matter

Back in 1998, SF/F fan Sheree Thomas felt the genreā€™s black authors were grievously underappreciated. In response, she createdĀ Dark Matterā€”a groundbreaking showcase of black SF/F talent that, like the anthologyā€™s namesake, existed but often went unseen. One of the most notable additions is W.E.B. Du Boisā€™ forgotten and racially-charged story, ā€œThe Comet,ā€ about the survivors of a cosmic disaster. Also included in the anthology is a story by Charles W. Chesnuttā€”a trailblazer of the late 19th centuryā€”and other names that are, thankfully, now recognized due to Thomasā€™ efforts.

Karen Lord

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Redemption in Indigo

Among Karen Lordā€™s influences, which include Ray Bradbury and Terry Pratchett, is the rich history of oral traditionā€”something that inspired herĀ ā€œexpanded folk tale,ā€Redemption in Indigo. The novel reimagines the Senegalese legend ā€œAnsige Karamba the Glutton,ā€ following a woman named Paama who, now free of her husband, is suddenly granted the power of Chaos. This piques the interest of the Indigo Lord who, as the former owner of this power, decides to steal it back … Lord, a native of Barbados, is also the author of the emotional sci-fi epicĀ The Best of All Possible Worlds.

Amos Tutuola

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The Palm-Wine Drinkard

After a difficult childhood and sporadic employment, Nigeria-born Amos Tutuola finally tried his hand at writing. His most famous novel,Ā The Palm-Wine Drinkard, was the result of this initial experimentā€”a modern take on Yoruba folklore that Tutuola completed in the span of a few days. While it received mixed reviews in the 1950s,Ā DrinkardĀ is now regarded as a significant text of the African literary canon and charts the fantastical, almost hallucinatory, adventures of a boozy, Homer-style hero.

Victor LaValle

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The Ballad of Black Tom

The winner of a Shirley Jackson Awardā€”and a finalist for just about every other genre prizeā€”Victor LaValleā€™s novella offers a new (and much-needed) interpretation of Lovecraftā€™s racist tale,Ā ā€œThe Horror at Red Hook.ā€Ā While the Cthulhu mythos remains intact, LaValle has turned the rest of the story on its head, assuming the perspective of a black man working for the story’s antagonist, Robert Suydam. The native New Yorker also recently published the full-length novel,Ā The Changeling, which harkens back to the Brothers Grimm.

(images: respective publishers)

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