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‘Babygirl’ review: A sultry, seductive romp through power and pleasure

By Rachel Tolleson Dec 16th
Nicole Kidman & Harris Dickinson bring back the erotic thriller in Babygirl’s trailer, and I’m SAT

By Rachel Leishman Oct 1st
Hugh Grant Goes Full Villain in New Trailer for A24’s ‘Heretic’

By Beverly Jenkins Jun 25th
Why Is A24 Suppressing Its Own Jan. 6 Documentary?

By Britt Hayes May 6th
One Shot in ‘Civil War’ Makes Every Viewer Complicit in Atrocities

By Julia Glassman Apr 30th
What Is ‘The Pink Opaque’? All About That Eerie Kids’ Show in ‘I Saw the TV Glow’

By Julia Glassman Apr 29th
The Best Horror Movies on Max Right Now

By Sarah Fimm and Britt Hayes Apr 26th
A24 Is Getting Roasted for AI-Generated ‘Civil War’ Posters

By Britt Hayes Apr 18th
‘Love Lies Bleeding’ Screening Disrupted by Homophobic, Misogynistic Hecklers

By Britt Hayes Apr 15th
If You Want To Know Why There’s a Civil War in ‘Civil War,’ You’re Missing the Point

By Britt Hayes Apr 12th
You Don’t Have To See ‘Civil War’ in IMAX, But You Really Should

By Britt Hayes Apr 8th
‘Janet Planet’ Trailer: The Next Great Coming-of-Age Movie, From A24

By Britt Hayes Apr 4th
Perfect Collaborations Do Exist If This New Jersey Legend Is Really Jeremey Allen White’s Next Role

By Rachel Leishman Mar 29th
The Delectably Kinetic Ending of ‘The Green Knight’

By Charlotte Simmons Mar 15th
A24’s Most Intense Movies Are Screening in IMAX This Summer

By Britt Hayes Mar 14th
Ari Aster’s Working On His Next (Hopefully Bizarre) Film

By Julia Glassman Mar 13th
The End of ‘Love Lies Bleeding’ Offers No Easy Answers

By Julia Glassman Mar 8th
Colman Domingo Brings a Transformative True Story to Life in ‘Sing Sing’

By Britt Hayes Mar 6th
Review: ‘Love Lies Bleeding’ Is a Violent Love Story—And So Much More

By Julia Glassman Mar 4th
A24’s Newest Horror Film Is on Its Way

By Julia Glassman Feb 29th