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The Mary Sue
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Movies & TV
‘Agatha All Along’ first reactions prove Marvel needs more of its most inventive storyline
By
Rachel Leishman
Sep 17th
‘To all the Latinas who are looking at me’: Why this year’s Emmy Awards was such a powerful night for Latinx history
By
Lauren Salerno
Sep 17th
Where to watch ‘Hacks’ after it dominated the Emmys
By
Kirsten Carey
Sep 17th
Donald Glover provides the wisdom toxic ‘Star Wars’ discourse desperately needs
By
Amanda Landwehr
Sep 17th
‘Rings of Power’: Whatever happened to the Dwarven rings?
By
Laura Pollacco
Sep 17th
Is ‘Emily in Paris’ going to need a new title when it returns?
By
Laura Pollacco
Sep 17th
An all-time record: ‘Shōgun’ really cleaned up at the Emmys
By
Kirsten Carey
Sep 16th
‘Agatha All Along’ built its release schedule around the perfect finale date
By
Evan Tiwari
Sep 16th
Wait, why is Ben Whishaw being so cagey about the fate of ‘Paddington’s Aunt Lucy?
By
Sarah Barrett
Sep 16th
If you still haven’t watched ‘Shōgun,’ it’s time
By
Vanessa Esguerra
Sep 16th
Pharrell Williams doc ‘Piece by Piece’ understood the assignment
By
Isobel Grieve
Sep 16th
‘Emily in Paris’ is clearly not flaunting its biggest asset enough
By
Jinal Bhatt
Sep 16th
Yes, ‘The Bear’ is a comedy. Get over it.
By
Rachel Leishman
Sep 16th
‘They will destroy everything’: Cinephiles unite to diss Roland Emmerich ‘Lawrence of Arabia’ TV adaptation
By
Evan Tiwari
Sep 16th
Our new favorite ‘Beetlejuice’ character has a seriously tragic backstory
By
Amanda Landwehr
Sep 16th
‘The 4:30’ ends with resolved teenage angst
By
Vanessa Esguerra
Sep 16th
There’s nothing more suspicious in ‘The Perfect Couple’ than one character’s extremely un-rich-person behavior
By
Jinal Bhatt
Sep 16th
Here’s how to keep up with ‘The Penguin’s head-scratching release schedule
By
Amanda Landwehr
Sep 16th
‘The Perfect Couple’s opening song’s mood is a far cry from the show’s actual themes
By
Evan Tiwari
Sep 16th
Wait, Marvel nearly had Scarlet Witch kill WHO?!
By
Sarah Barrett
Sep 16th
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