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How Struggling Mothers Are Horror’s New Final Girls

By Jan 21st
On Television’s Alpha-Nerds and Their Mysterious Women

By Jan 20th
How Sherlock‘s Finale Let Down the People Who Loved the Show the Most

By Jan 20th
Review: Curse Words #1 Explores Benefits of Good, Evil, Free Will, Hot Dogs, and Sunglasses

By Jan 19th
Gravity Falls Rewatch: Society of the Blind Eye

By Jan 16th
Perfect Timing: We Need Grim Art Like The Handmaid’s Tale Now More Than Ever

By Jan 13th
This Is Us Is the Parable on White Privilege America Needs

By Jan 10th
Where Are the Moms in the Star Wars Galaxy?

By Jan 8th
Mazel Tov or Oy Vey? Looking at Jewish-Coding in Fantastic Beasts and Where to Find Them

By Jan 7th
Review: Emerald City Certainly Isn’t the Oz You Remember, and That’s Great

By Jan 6th
Why Girl Meets World Was an Experiment Worth Watching

By Jan 6th
My Protagonist Is Not the Center of the Universe: One Author’s Take on How to Not Write the White Savior

By Jan 5th
Review: Jackie Succeeds With Poise, Despite Shudders in Narrative Control

By Jan 5th
Cosplay, Drag, and the Transformative Nature of Living Out Your Fandom

By Jan 4th
What Community’s “Darkest Timeline” Can Tell Us About Our Own

By Dec 30th
Riverdale Is Weird, Strange, But That’s Kind of How the Comic Has Always Been

By Dec 28th
“Charlie X”: 1966 Star Trek Episode Perfectly Demonstrates How to Deal With Donald Trump

By Dec 27th
Avoiding Political Burnout by Deconstructing Dystopian Fiction

By Dec 27th
Moonlight and The Handmaiden: Two Very Different Takes on Intimacy

By Dec 26th
LGBTQIA Activism in the Trump Era

By Dec 24th