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I declare that Reed Richards is hot in the new ‘Fantastic Four: First Steps’ trailer

By Rachel Leishman Apr 17th
Florence Pugh is the new Tom Cruise, I’ve said it!

By Rachel Leishman Apr 16th
‘Daredevil: Born Again’ just took an explosive risk, but has repeating the past paid off?

By El Kuiper Apr 9th
Alright how long has Rogers the Musical been running in the MCU?

By Rachel Leishman Apr 8th
This ‘Daredevil: Born Again’ villain’s power grab is exactly what the show needs

By El Kuiper Apr 2nd
‘Rubbish and cringe’: ‘Spider-Man: Brand New Day’ already has everyone wondering the same thing

By Josh Conrad Apr 1st
I love Fox’s X-Men movies, but I’ve let them go—and the MCU should have done the same

By El Kuiper Mar 28th
‘Avengers: Doomsday’s X-Men return could be devastating

By Rachel Leishman Mar 27th
These are the 10 characters I’m the most excited for in ‘Avengers: Doomsday’

By Rachel Leishman Mar 27th
‘Avengers: Doomsday’ and…barely any girls are allowed?

By Rachel Leishman Mar 26th
‘Daredevil: Born Again’ episode 5’s crossover character is a perfect example of how to connect the MCU

By El Kuiper Mar 26th
‘I’m following Bruce’s advice’: Bruce Willis inspired the MCU’s Nick Fury in a big way

By Jorge Aguilar Mar 20th
Jonathan Majors spoke about toxic masculinity. Was he…looking in a mirror?

By Rachel Leishman Mar 20th
Jonathan Majors begs for an MCU return, but it’s too late for him

By El Kuiper Mar 19th
‘Daredevil: Born Again’: Nobody handles grief like Frank Castle, and that’s exactly what Matt Murdock needs

By El Kuiper Mar 19th
Marvel did Jenna Ortega so dirty, it’s unbelievable

By Rachel Leishman Mar 19th
Marvel needs to bring a character like Wanda Maximoff back

By Rachel Leishman Mar 17th
There are plenty of female characters Sadie Sink can play in ‘Spider-Man 4’

By Rachel Leishman Mar 13th
‘Daredevil: Born Again’ subtly lays the foundation for Sony’s ‘Spider-Verse’ heroes in the MCU—and it’s about time

By Amanda Landwehr Mar 12th
This official ‘Doomsday’ cameo is worthless now that Marvel has forgotten the power of genuine endings

By Rachel Tolleson Mar 11th