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Family Remains: On the Enduring Appeal of Supernatural

By Jan 26th
Review: Netflix’s A Series of Unfortunate Events Is Dreadful, Melancholy … and Impossible Not to Enjoy

By Jan 23rd
Revisiting Roe vs. Wade and How It’s In More Jeopardy Than Ever

By Jan 22nd
How Struggling Mothers Are Horror’s New Final Girls

By Jan 21st
On Television’s Alpha-Nerds and Their Mysterious Women

By Jan 20th
How Sherlock‘s Finale Let Down the People Who Loved the Show the Most

By Jan 20th
Review: Curse Words #1 Explores Benefits of Good, Evil, Free Will, Hot Dogs, and Sunglasses

By Jan 19th
Gravity Falls Rewatch: Society of the Blind Eye

By Jan 16th
Perfect Timing: We Need Grim Art Like The Handmaid’s Tale Now More Than Ever

By Jan 13th
This Is Us Is the Parable on White Privilege America Needs

By Jan 10th
Where Are the Moms in the Star Wars Galaxy?

By Jan 8th
Review: Emerald City Certainly Isn’t the Oz You Remember, and That’s Great

By Jan 6th
Why Girl Meets World Was an Experiment Worth Watching

By Jan 6th
My Protagonist Is Not the Center of the Universe: One Author’s Take on How to Not Write the White Savior

By Jan 5th
Review: Jackie Succeeds With Poise, Despite Shudders in Narrative Control

By Jan 5th
Cosplay, Drag, and the Transformative Nature of Living Out Your Fandom

By Jan 4th
What Community’s “Darkest Timeline” Can Tell Us About Our Own

By Dec 30th
Avoiding Political Burnout by Deconstructing Dystopian Fiction

By Dec 27th
Moonlight and The Handmaiden: Two Very Different Takes on Intimacy

By Dec 26th
Always Winter And Never Christmas: A Holiday Story Inspired C.S. Lewis’ Darkest Days

By Dec 23rd