The midseason finale of the long-awaited fourth season of Wynonna Earp has wrapped up, and it delivered some of what I think is the best and the most frustrating aspects of the series. But let us start with what is absolutely the joy: WayHaught.

Even in death, Herman Cain's Twitter account is still pushing Trump's favorite conspiracy theories.

It turns out that we've all had a wide variety of experiences when it comes to the things heard at the movies.

Father-daughter relationships onscreen are a mixed bag, to be quite honest. They normally exist to benefit the male character, and rarely do we see something like this, so thank you, Bill & Ted Face the Music, for teaching us the value of being excellent to each other.

In one of its best episodes, 'Last Week Tonight' broke down how the police shooting of Jacob Blake and the racist fearmongering at the RNC are directly linked.

The New Mutants is out and it looks like people are seeing it, since the film has made $7 million domestically despite, you know, a pandemic. This means there are already scenes being shared from the movie, including several of the character Illyana Rasputina, a.k.a. Magik (Anya Taylor-Joy), being racist towards Dani Moonstar, a.k.a. Mirage, played by Blu Hunt.

Well, my little chickies, Sherlock Holmes has always been hot. Even Sherlock Gnomes is fine.

Jeff Goldblum working with Taika Waititi was like a gift from the gods to me. 

I hope that Christopher Reeve was there to welcome Chadwick Boseman up in the real-life superhero Valhalla, and Boseman is now getting to see how much love he brought into this world. He will never be forgotten.

While major movie studios might make lots of excuses for their lack of LGBTQIA+ representation, and it might seem like the norm, the mold is finally being broken in other places. With most theaters still closed and very few new films releasing in them, more people than ever are watching streaming content, and Netflix’s The Old Guard put Disney (including Marvel and Star Wars), Warner Bros., and others to shame by showing just how easy queer representation in genre films can be.