Mark Gatiss and Steven Moffat's Dracula miniseries was met with mixed reviews when it premiered earlier this month on BBC/Netflix.

Fandom is great hobby and pursuit, but it shouldn't alter your sense of reality.

The critically acclaimed series has only 8 episodes left to wrap up its grand Hollywoo saga.

A world without the patriarchy? That's reason enough for us to tune in.

The series was created by Kumail Nanjiani, Emily V. Gordon (The Big Sick), and Lee Eisenberg (The Office), who base each episode off of Epic magazine's column which documents individual stories of the immigrant experience in America.

So, the next time you don't have too much time to work out but want to go catch the latest movie, don't worry! It counts.

It's an interesting dynamic because it always says a lot about the being who will press on. So whether it is Geralt and Jaskier or Chewbacca and Han Solo, these life debts are born so that beautiful friendships could grow and maybe I wish they'd stop being used in movies and television shows because then I end up crying over friends just trying to be there for each other through it all. 

It seemed like, out of nowhere, the Obi-Wan Kenobi series was canceled.

It seems as if Oscar Isaac is set to star in The Great Machine, a film based on the Ex Machina comic series by Brian K. Vaughn. Now, here's where things get confusing. It has nothing to do with Isaac's 2014 film Ex Machina.

Music is one of the first features we notice about a film or television show. Sure, the action-packed fight sequences or tear-jerking plot lines might be the less superficial way to choose to invest in a movie or series, but there’s no denying that the deep bass drops, quickened tempos, and powerful crescendos are backbones for the trailers that help audiences decide whether something is, or is not, worth seeing. Filmmakers know it, fans know it, and music composers certainly know it.