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Did NYCC Prove The Need For Diversity In Comics?

This Makes Sense

The New 52 has been a success at getting outliers interested in comics again. But looking around the Javits, at the ocean of non-white faces, and of female faces, it became VERY clear to me that all the angry blog posts begging for more diversity in the comics isn’t just a few loudmouths—even though they are treated as such by the big companies. It’s the reality of the world. Reaching this audience through inclusion might just be the most important goal for the mainstream comics industry’s continued survival.Heidi MacDonald writing her New York Comic Con wrap-up for The Beat.

It’s just a little maddening having been one of those “loudmouths” myself to see this particular aspect of conventions, and in turn comics, so obviously noticed by what seems like everyone but those like DC Comics who really need to experience it. Not having attended any of the DC panels at NYCC (a first for me), I can’t say whether or not the demographics were represented the same way there but the point is – if they are at a convention they are potential readers/new readers. Wouldn’t it make sense to provide something they can see themselves in?

(via The Beat)

Previously in NYCC 2011

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Jill Pantozzi is a pop-culture journalist and host who writes about all things nerdy and beyond! She’s Editor in Chief of the geek girl culture site The Mary Sue (Abrams Media Network), and hosts her own blog “Has Boobs, Reads Comics” (TheNerdyBird.com). She co-hosts the Crazy Sexy Geeks podcast along with superhero historian Alan Kistler, contributed to a book of essays titled “Chicks Read Comics,” (Mad Norwegian Press) and had her first comic book story in the IDW anthology, “Womanthology.” In 2012, she was featured on National Geographic’s "Comic Store Heroes," a documentary on the lives of comic book fans and the following year she was one of many Batman fans profiled in the documentary, "Legends of the Knight."