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Latest A24 Stories
‘Babygirl’ review: A sultry, seductive romp through power and pleasure
By
Rachel Tolleson
Dec 16th
Nicole Kidman & Harris Dickinson bring back the erotic thriller in Babygirl’s trailer, and I’m SAT
By
Rachel Leishman
Oct 1st
Hugh Grant Goes Full Villain in New Trailer for A24’s ‘Heretic’
By
Beverly Jenkins
Jun 25th
Why Is A24 Suppressing Its Own Jan. 6 Documentary?
By
Britt Hayes
May 6th
One Shot in ‘Civil War’ Makes Every Viewer Complicit in Atrocities
By
Julia Glassman
Apr 30th
What Is ‘The Pink Opaque’? All About That Eerie Kids’ Show in ‘I Saw the TV Glow’
By
Julia Glassman
Apr 29th
The Best Horror Movies on Max Right Now
By
Sarah Fimm
and
Britt Hayes
Apr 26th
A24 Is Getting Roasted for AI-Generated ‘Civil War’ Posters
By
Britt Hayes
Apr 18th
‘Love Lies Bleeding’ Screening Disrupted by Homophobic, Misogynistic Hecklers
By
Britt Hayes
Apr 15th
If You Want To Know Why There’s a Civil War in ‘Civil War,’ You’re Missing the Point
By
Britt Hayes
Apr 12th
You Don’t Have To See ‘Civil War’ in IMAX, But You Really Should
By
Britt Hayes
Apr 8th
‘Janet Planet’ Trailer: The Next Great Coming-of-Age Movie, From A24
By
Britt Hayes
Apr 4th
Perfect Collaborations Do Exist If This New Jersey Legend Is Really Jeremey Allen White’s Next Role
By
Rachel Leishman
Mar 29th
The Delectably Kinetic Ending of ‘The Green Knight’
By
Charlotte Simmons
Mar 15th
A24’s Most Intense Movies Are Screening in IMAX This Summer
By
Britt Hayes
Mar 14th
Ari Aster’s Working On His Next (Hopefully Bizarre) Film
By
Julia Glassman
Mar 13th
The End of ‘Love Lies Bleeding’ Offers No Easy Answers
By
Julia Glassman
Mar 8th
Colman Domingo Brings a Transformative True Story to Life in ‘Sing Sing’
By
Britt Hayes
Mar 6th
Review: ‘Love Lies Bleeding’ Is a Violent Love Story—And So Much More
By
Julia Glassman
Mar 4th
A24’s Newest Horror Film Is on Its Way
By
Julia Glassman
Feb 29th
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