We can't get enough of McMillion$, the HBO docuseries about how the McDonalds Monopoly game was rigged for perhaps its entire run.

How few representatives from the White House can attend before they admit there's no White House association worth celebrating?

So if Jon Favreau wants to go back and have Donald Glover sing "Endless Night" and give me my Beyoncé take on "Shadowland", I'd rewatch The Lion King again. Otherwise, KEEP IT.

Comic book writer and artist Rob Liefeld is a controversial figure for his art style and writing but is still responsible for co-creating Cable and Deadpool, two of the most iconic modern X-Men characters, as well as his work on X-Force and The New Mutants, which is why him throwing his opinion into sexy costume discourse concerning Harley Quinn is worth looking at.

It's unclear what sort of financial problems this is actually based on, if any, considering that many of the non-profit's leadership earn annual salaries close to a half a million.

If you were going to spend $200 million on some sort of vanity project, what would you choose to do with that money?

An actor taking on Catwoman is stepping into a role that many women have already left their mark on.

I love a good monster, and Netflix's The Witcher has lots of them. Something I also generally love is a blurred line between monster and human; it’s a narrative device than can lend itself to really interesting explorations of morality, identity, and what it means to be a person. Unfortunately, throughout the comparatively short life of fantasy as a genre, it’s mostly been a less than productive trope, often exposing the biases of the writers more than anything.

The Call of the Wild is an earnest, beautifully made adventure that will leave you wanting to hug your pets and maybe also call your parents (or your kids).

Our love, however, has spawned a Knives Out 2, or, as I like to call it, Knives Out 2: Forky's Revenge.