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Game Of Thrones Actors Still Trying To Defend That Season 4 Rape Scene & This Time It’s Nikolaj Coster-Waldau’s Turn

Can you not.

Jaime Lannister Game Of ThronesOK, buckle up. We’re doing this again. Game Of Thrones Season 5 is just around the corner, which means that various cast members are making the rounds giving interviews, talking about what’s come before on the show and what’s coming up next. In the former category we have Nikolaj Coster-Waldau, speaking up rather belatedly on that rape scene from last season.

Here’s what Coster-Waldau said about the show’s biggest controversy last season, in an interview with GQ:

I was sure there was going to be a lot of talk about it. But I assumed it was going to be about the fact we had sex in front of our dead son. It became more about, ‘Was it rape?’, which shocked us. I sound naive, but I never saw it like that.

It was as if Game of Thrones was now social commentary. I was like, ‘Really?’, and suddenly it was pro-rape. I’m not going to talk about that because it’s a sensitive topic. But it’s a television show with a storyline featuring two people who have had a dysfunctional relationship. It’s clearly not healthy for either of them — that scene being just another example. And suddenly a scene in a television show is used as an argument in an overall political discussion.

Game-of-Thrones-4-Joffrey-and-Margaery-Purple-Wedding-cersei-self-controlHere’s the thing: We’ve known since episode one (y’know, the one where Jaime pushes a child out of a window to protect his secret twincest sex) that Jaime and Cersei have a dysfunctional, effed up relationship. But one notable part of what was so disturbing about that rape scene last season (and it was a rape scene as it played out onscreen) was the way that the people involved in the scene (Lena Headey, director of the episode Alex Graves, etc.) made efforts to brush it off as at least arguably consensual, as if the final product of what we saw onscreen was not rape because their intents onset were not for it to come off that way.

This was a scene that made a lot of people very uncomfortable, and a show doesn’t have to be the kind to delve into “Very Special Episodes” to be aware of its place in the political landscape and of how its presentations of certain things will affect viewers. That doesn’t mean you have to do away with things that would shock that audience or things that would make that audience uncomfortable — most people watching Game Of Thrones know at this point that shock value will be employed. But what I’m searching for here is an understanding on the part of the people making the show that, hey, sometimes they don’t make the most effective moves in the name of that shock. That they’re fallible, and that with or without dysfunctional characters, scenes like this one definitely do not mix well with the show’s larger relationship to sex.

A show doesn’t have to actively be aiming to be “social commentary” to be something that reflects issues in our real world. Just listen to Ben Wyatt on this matter:

This particular reflection left a lot of people so uncomfortable in large part because it hit really close to home, highlighting the importance of consent in part through the scene itself and in part because the people executing said scene had such a warped view of what that consent should look like. It’s a disappointment on that social commentary level, sure, but also on a story level: If you’re going to take on a scene like that it’d at the very least be good for everyone involved to understand what’s happening, if only to inform their performances going forward. As it is, it stands as a weird, awful black spot on the show’s history. Now if only they’d realize there’s a reason for that.

(via Blastr, images via Tumblr)

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