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The Mary Sue
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Movies & TV
Is ‘Black Adam’ On HBO Max?
By
Sarah Fimm
Mar 19th
Could ‘Shazam!’ Still Have a Future in the New DCU?
By
El Kuiper
Mar 19th
‘Carnival Row’ Doesn’t Hold Back Depicting the Ramifications of Xenophobia
By
D.R. Medlen
Mar 18th
The Real Hero of ‘Carnival Row’ Isn’t Who You Think It Is
By
D.R. Medlen
Mar 18th
The Boston Strangler Review: A Gripping Story Inside A Middling Drama
By
Lauren Coates
Mar 18th
All ‘Scream’ Movies, Ranked Worst To Best
By
Rachel Ulatowski
Mar 18th
As a Musician, There is So Much I Love About ‘Daisy Jones and the Six’
By
Madeline Carpou
Mar 18th
Giving Racist Anonymous Oscar Voters a Platform Doesn’t Expose Misogynoir—It Profits From It
By
Teresa Jusino
Mar 17th
How Do You Make ‘The Boys’ Even Filthier? Add Jeffrey Dean Morgan
By
D.R. Medlen
Mar 17th
INTERVIEW: Hannah Waddingham Explores Rebecca’s Journey in ‘Ted Lasso’
By
Rachel Leishman
Mar 17th
INTERVIEW: Chris Cooper On What Inspires Him for Roles like the ‘Boston Strangler’
By
Rachel Leishman
Mar 17th
Oh No … I Still Love the Darkling
By
Rachel Leishman
Mar 17th
Hold Up, ‘Willow’ Isn’t Canceled After All
By
Julia Glassman
Mar 17th
HBO Viewing Figures Reveal Close Contest Between Two of Its Biggest Shows
By
El Kuiper
Mar 17th
Marvel Has Painted Itself Into a Corner With the Scarlet Witch’s Story Arc
By
Julia Glassman
Mar 17th
The Teletubbies Are Now Coming for … the Fashion Industry?
By
Brooke Pollock
Mar 17th
‘Ted Lasso’s Season Opener Really Hit as a Child of Divorce
By
Rachel Leishman
Mar 17th
No, the ‘Daisy Jones & the Six’ Opening Isn’t an Original Song (It’s Better)
By
Madeline Carpou
Mar 17th
Where To Watch ‘Shazam! Fury of the Gods’
By
Kimberly Terasaki
Mar 17th
A Wannabe Blue Shirt Officer’s Guide to the Map of the Galaxy in ‘Star Trek’
By
Benedetta Geddo
Mar 17th
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