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‘Malcolm in the Middle: Life’s Still Unfair’: A Revival That Keeps the Heart of the Show in Mind [REVIEW]

By Apr 9th
‘Brian’: A Heartfelt Coming of Age Comedy With a Unique Voice [SXSW Review]

By Mar 18th
‘Pretty Lethal’: Not Quite ‘John Wick,’ But Something Just As Fun [SXSW REVIEW]

By Mar 16th
‘Normal’: Bob Odenkirk Fights His Way Through a Darker Side of the Midwest [SXSW Review]

By Mar 16th
’Drag’: A Hilarious, Unexpectedly Unhinged Ride Where You Need to Go in Blind [SXSW Review]

By Mar 15th
’Ready or Not 2: Here I Come’: Samara Weaving Once Again Proves Why She’s THE Final Girl [SXSW REVIEW]

By Mar 14th
‘Undertone’: A Terrifying Immersion Into Auditory Horror [REVIEW]

By Mar 14th
‘Scream 7’ Is Good at Nostalgia, But Not Much Else [REVIEW]

By Feb 27th
‘Crime 101’ Gives Chris Hemsworth Room to Finally Shine [REVIEW]

By Feb 12th
‘Is This Thing On?’ Review: A Moving Exploration of Grief Through Comedy

By Dec 19th
‘Sweetness’ review: What happens when a fan’s idolization turns into obsession

By Mar 11th
‘The Dutchman’ review: a contemporary take on a seminal play with a lot more to say

By Mar 9th
‘Yellowjackets’ review: No rest for the wicked as season 3 kicks off

By Feb 18th
‘Heart Eyes’ review: A date movie to die for

By Feb 7th
Review: ‘Flight Risk’ makes a landing, but barely

By Jan 25th
‘Grafted’ review: A glorious body horror film

By Jan 15th
‘The Agency’ is totally worth every day of your free Paramount+ trial

By Jan 15th
What’s behind the ‘Cellar Door?’ A wasted premise and TV-movie melodrama

By Oct 31st
‘My Old Ass’ is the movie my bisexual self wishes I had when I was 18

By Sep 13th
‘Dead Boy Detectives’ Is a Surprisingly Poignant Blend of Gaiman’s Weirdness and CW-Style Teen Drama

By Apr 25th