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Glee Says Coulton Should Be Happy for the Exposure They’re Giving Him by Not Mentioning Him At All

No. No no no no no no no. no.

Well, they aired it, seemingly unchanged. And it’s now for sale in the US iTunes store. They also got in touch with my peeps to basically say that they’re within their legal rights to do this, and that I should be happy for the exposure (even though they do not credit me, and have not even publicly acknowledged that it’s my version – so you know, it’s kind of SECRET exposure). While they appear not to be legally obligated to do any of these things, they did not apologize, offer to credit me, or offer to pay me, and indicated that this was their general policy in regards to covers of covers. It does not appear that I have a copyright claim, but I’m still investigating the possibility (which I consider likely) that they used some or all of my audio. I’ll write something longer and more detailed about this when I can get my head together about it probably in a couple of days. Thanks for your support, but please continue not to burn anything down.Jonathan Coulton, in a recent update to his blog.

Last night Glee returned after a holiday hiatus with the episode “Sadie Hawkins” and a soft-rock version of “Baby Got Back,” that is unmistakably nerd-rocker Jonathan Coulton’s soft-rock version of “Baby Got Back.” The musician updated fans and readers of his blog this morning with this information on Fox and Glee’s really absurd notion that “exposure” is his payment despite the fact that they have so far refused to publicly credit him with the arrangement. If Coulton hadn’t already had a strong, connected fanbase, nobody might have noticed that he’d been ripped off.

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