If there's one constant The Good Place has shown, it's change. This is a show that is constantly painting itself into corners only to explode the whole room (and sometimes the very reality of rooms in general). The latest episode, which is hands down the best of the season so far (and I'm not just saying that because it gave us shirtless Chidi), does that yet again, essentially resetting the entire premise. Again.

I'm glad they decided against making it a story of American exceptionalism, but as with most historical films, they decide to focus mostly on white men.

The Good Place returns tonight for its third season, and if there was any doubt, it's just as perfect as ever. For two years now, this has been one of the best shows on television, hilarious and kind and full of surprises. This is a show that has repeatedly reinvented itself right in front of our eyes, and season three is no different.

Review aggregator site Rotten Tomatoes is making steps towards diversifying their critics roster after it was revealed that the majority of critics on the site were cis white men (what a shocker).

The problem with Slender Man is that it's simply not a good movie. You can guess the scares before they happen. There was a chance here to make a truly frightening film about a popular urban legend, but it comes too late and marked by too much tragedy for it to work.

For all its failings, Ocean's 8 is still a nice piece of summer fluff. The disappointment is that was merely good, and not great.

Solo is a caper of a movie—really, a series of capers—that takes you through a galaxy far, far away mostly unconcerned with intergalactic warfare, the balance of light and dark Force-sides, or anyone named Skywalker. Solo wants to have fun, and it succeeds.

It's exciting when a film has a strong and unique vision, both visually and with regard to story. Terminal, written and directed by first-time feature director, Vaughn Stein, and starring Margot Robbie, is one such film. However, when a film is so idiosyncratic, stylized, and unique, the filmmaker is taking a chance that the audience will be into exactly those things, which isn't always the case.

I’ve been writing about Infinity War for the better part of a year, but I was not prepared for what it had in store. I stared at it slack-jawed for the last ten minutes, astonished at the places where Marvel took this movie.

Pacific Rim Uprising is a loud, ridiculous film about giant fighting robots and massive monsters from an interdimensional portal under the ocean. It's totally over-the-top, and it's also the most fun I've had at the movies in ages.

In her new film, Keep the Change, writer-director Rachel Israel breathes new life into the romantic comedy by centering a community largely ignored in romantic storytelling: adults with autism.

I really wanted to love Ava DuVernay's adaptation of the Madeleine L'Engle classic A Wrinkle in Time. That I don't love it is because it wasn't made with me in mind. But I'm left wondering who this movie's audience is meant to be, and hoping that they find it.

Annihilation is one of those films with a concept that seems like it's right up my alley, so I've been excited about it since it was announced. Female-led sci-fi? Check. Mysterious entity the women have to figure out? Check. I went in prepared to love it. I merely liked it, and somehow that feels worse than if it were bad.

We knew the first Twitter reactions were good, but the official reviews for Ryan Coogler's Wakandan superhero epic are out of this world.

I've seen the first two episodes of TNT's star-studded adaptation of The Alienist and I'm here to say that I wish I had access to more.

A beautiful movie earned a much-deserved title, and some dude who couldn't even get the genre right just had to come in well, actually all over it.

It's hard to know where to start reviewing The Last Jedi, because so much happens in this movie that I have whiplash. But I'm happy about it. The Mary Sue's spoiler-free review, ahead.