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Silence! There’s a New ‘Dune: Part Two’ Trailer

By and Dec 12th
Bust Out the Marmalade! ‘Paddington: The Musical’ Is on the Way

By Dec 12th
Save the Date: ‘Saw XI’ Is Officially on the Way

By Dec 12th
Millie Bobby Brown Battles a Dragon in Netflix’s ‘Damsel’

By and Dec 12th
Hayao Miyazaki Finally Gains No. 1 Status at the U.S. Box Office With ‘The Boy and the Heron’

By Dec 12th
‘The Iron Claw’s Powerful Performances Bring a True Tragedy to Life

By Dec 12th
‘Oppenheimer’ Is Not on the Oscars Visual Effects Shortlist, and People Are Big Mad

By Dec 12th
How ‘Leave The World Behind’ Pays Homage to Some Iconic Masters of Suspense

By Dec 11th
Why Are Modern Movie Musicals Ashamed To Be Musicals?

By Dec 11th
Matthew Modine Deserves More Praise for His Work in ‘Oppenheimer’

By Dec 11th
How Faithful Is ‘Leave the World Behind’ to the Novel and Its Ending?

By Dec 11th
‘The Zone of Interest’ Is a Must-See Study of Evil

By Dec 11th
Cillian Murphy Hating Talking About Acting Is Relatable

By Dec 11th
‘The Boy and the Heron’ Is a Visual Feast With a Deeply Personal Emotional Core

By Dec 11th
Unpacking ‘The Boy and the Heron’s Ending

By Dec 11th
Cory Michael Smith Brings the Awkwardness to Life in ‘May December’

By Dec 10th
Sheryl Lee Ralph’s New Film Challenges the Image of a Person Living With AIDS

By Dec 10th
‘It’s a Wonderful Knife’ Offers Little Beyond a Clever Title

By Dec 9th
‘Everything Everywhere All at Once’ Parents Guide: Is ‘EEAAO’ Appropriate for Kids?

By Dec 8th
‘Poor Things’ Ends on a Deliciously Complicated Note

By Dec 8th