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The Mary Sue
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‘Mean Girls’ Is a Grool Adaptation of the Musical
By
Rachel Leishman
Jan 10th
Willem Dafoe Longs for the Pre-Streaming Days: ‘Where’s That Discourse Found?’
By
Charlotte Simmons
Jan 10th
Letterboxd Is Right: 2023 Was a Big Year for Women Filmmakers
By
Rachel Leishman
Jan 10th
All the Movies We Can’t Wait To See in 2024
By
Britt Hayes
and
Rachel Leishman
Jan 10th
Barry Keoghan Offers Some First-Hand Insight into ‘Saltburn’s Infamous Bathtub Scene
By
Charlotte Simmons
Jan 10th
We’re in Awe of Margot Robbie’s Commitment To Barbie Fashion
By
Laura Pollacco
Jan 10th
‘Night Swim’ Is 2024’s First Horror Film
By
Chelsea Steiner
Jan 9th
Christopher Nolan Remembers Heath Ledger in His Golden Globes Speech
By
Rachel Leishman
Jan 9th
‘T.I.M.’ Director Spencer Brown Talks Killer AI Manservants
By
Julia Glassman
Jan 9th
‘Mother’s Instinct’ Trailer Promises a Twisted Tale of Grief and Paranoia
By
Charlotte Simmons
Jan 9th
The Mickey Mouse Horror Movie Has Attracted a Rather Ironic Naysayer
By
Charlotte Simmons
Jan 9th
So, Are We Getting ‘Five Nights at Freddy’s 2’?
By
Ana Valens
Jan 9th
The Best Movies on Peacock Right Now
By
Britt Hayes
Jan 8th
If There Was a Golden Globe for Improv, Barry Keoghan Would Have Won in a Landslide
By
Charlotte Simmons
Jan 8th
‘Mean Girls’ Is a Musical … Right?
By
Charlotte Simmons
Jan 8th
Here’s When You Can Give ‘The Marvels’ Another Chance
By
Julia Glassman
Jan 8th
The Best Netflix Original Films
By
Julia Delbel
Jan 8th
Judd Apatow Is Right, Oscars Classifying ‘Barbie’ as an Adapted Screenplay Is ‘Insulting’
By
Charlotte Simmons
Jan 8th
‘T.I.M.’ Review: The Latest Killer A.I. Has Arrived
By
Julia Glassman
Jan 8th
It’s Important To Remember That ‘Society of the Snow’ Isn’t Just a Movie
By
Rachel Ulatowski
Jan 6th
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