samantha bee full frontal women's history pain

For Women’s History Month, Samantha Bee Dives Into the History of Women’s Pain

And the Male-Dominated Medical Industry That Ignores It

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For Women’s History Month, Samantha Bee delved into one particular aspect of the lives of far too many women: pain. Specifically, the seemingly mystifying and uncurable pain of endometriosis and other uterine disorders. (Or, “Why You Have to Take Birth Control for Every Damn Lady Thing.”)

With the help of Laurie Metcalf (Roseanne, Lady Bird), Bee illustrates some of the horrific ways in which the male-dominated medical industry has tried to deal with women’s health issues over the centuries. And while we can be glad that the days of branding uterine pain a sign of witchcraft and attempting to use sexual stimulation as a cure (not to mention the whole committing-women-to-asylums-for-“hysteria” thing), modern medicine doesn’t exactly make understanding women’s pain a priority.

Not only is there no cure for endometriosis, but women’s pain just isn’t taken seriously. As Bee notes, it takes an average of six to eight years for a woman to get an accurate diagnosis. Only recently did doctors start to acknowledge that menstrual cramps can be as painful as a heart attack, to which women everywhere responded, “Yeah, no duh.” Doctors prescribe birth control to deal with a whole range of issues that have nothing to do with preventing pregnancy, and half of our government still wants to stop us from having access to it.

“Because,” as Bee says, “women’s healthcare is still shrouded in the same fear, shame, and condescension that has been surrounding the female body since some dude made up a story about some lady stealing an apple to justify why he hates women.”

Happy Women’s History Month, everybody!

(image: YouTube)

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Vivian Kane
Vivian Kane (she/her) is the Senior News Editor at The Mary Sue, where she's been writing about politics and entertainment (and all the ways in which the two overlap) since the dark days of late 2016. Born in San Francisco and radicalized in Los Angeles, she now lives in Kansas City, Missouri, where she gets to put her MFA to use covering the local theatre scene. She is the co-owner of The Pitch, Kansas City’s alt news and culture magazine, alongside her husband, Brock Wilbur, with whom she also shares many cats.