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Things We Saw Today: The Witcher and The Mandalorian Sure Do Have This in Common

Henry Cavill as the Witcher and Pedro Pascal as The Mandalorian

The biggest television shows in the streaming world right now are The Mandalorian on Disney+ and The Witcher on Netflix—two hugely different productions that share an essential core.

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On paper, The Witcher and The Mandalorian seem dramatically different. The Witcher is pure fantasy, complete with quasi-medieval times, dragons, magic, and saucy bards. The Mandalorian takes place in a galaxy far, far away, bound to its Star Wars roots and full-up with blasters, spaceships, alien babies, and snarky droids. Yet the shows’ central arc—and their eponymous main characters—are surprisingly similar.

Twitter users have had fun pointing out that both popular series star a stalwart lone wolf warrior-type who goes by his own code and pretends to be unfeeling while really being a self-sacrificing noble softie. They both end up, rather unintentionally, as the fiercely protective adoptive dad to a powerful, mysterious child.

Of course, there are other similarities to the shows, which can feel formulaic to well-established action-adventure tropes. They both follow hack-slash wandering pathways, love to encounter a rampaging monster or a mass of enemy soldiers standing in the way, and rely on otherworldly forces to make us believe in the impossible. (When The Mandalorian called the Jedi “sorcerers” in its finale, I cheered: finally, verbal confirmation that Star Wars is really fantasy in space more than science fiction.)

Is it a coincidence that the protagonists of our current buzz-worthy TV mirror one another? Sure, but it’s intriguing to consider why this is such a popular narrative at the close of 2019. It’s nice to see characters who are otherwise defined by excelling at brutal violence as putty in the hands of our most vulnerable creatures, which are kids.

Toxic masculinity is countered by the power of found families, and the safety of children is paramount to even the most hardened warrior. Delightfully, both men—Geralt of Rivia and Din Djarin, the Mandalorian—are also often flanked by women who are even more capable than they are. Even though both men’s stories are ostensibly positioned “a long time ago,” they feel much more modern than what we might have seen from these roles when the decade began.

If this is going to be a theme with the male leads of enormous properties going forward—adoring dads that are both stoic and chaotic (the duality of man) who defer to their commanding lady-friends—maybe we’ve done something right in 2019 after all.

(images: Netflix, Disney+)

What else did we see today, the end of all (aughts) days?

  • A judge has ordered Alex Jones (hiss) and his InfoWars (hisssss) to pay $100,000 in Sandy Hook legal fees. (via NYTimes)
  • “My dream candidate exists—and her name is Elizabeth Warren” by Rebecca Solnit (via The Guardian)
  • Apocalyptically deadly wildfires are gripping Australia. (via NYTimes)
  • Speaking of our pals Geralt and Din, The Witcher has “dethroned” The Mandalorian as the biggest TV show in America. (via SYFY Wire)
  • Since you were wondering: here’s what we got stuck in our rectums last year. You’re welcome. (via Vice)
  • For your extended holiday binge-watching purposes: 30 great movies in 2019 you may have missed. (via Collider)

Happy almost-New Year! What did you see today?

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Kaila Hale-Stern
Kaila Hale-Stern (she/her) is a content director, editor, and writer who has been working in digital media for more than fifteen years. She started at TMS in 2016. She loves to write about TV—especially science fiction, fantasy, and mystery shows—and movies, with an emphasis on Marvel. Talk to her about fandom, queer representation, and Captain Kirk. Kaila has written for io9, Gizmodo, New York Magazine, The Awl, Wired, Cosmopolitan, and once published a Harlequin novel you'll never find.

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