comScore Here's What's New in the Public Domain for 2021! | The Mary Sue

Here’s What’s New in the Public Domain for 2021!

There's a lot of Great stuff, even of the Gatsby variety

leo raises a glass in the great gatsby

Though technically it’s day four of 2021, it’s the first Monday of the year and we’re still recovering from 2020 (and will be for a while), which is a long way of saying we’re a bit late on celebrating all the amazing content that’s come into the public domain as of January 1! Or should I say Great content, given that perhaps the most well-known work now free of copyright constrictions is of course F. Scott Fitzgerald’s classic novel The Great Gatsby.

Before we get into this. What does a work being in the public domain mean again? Well, it means anyone can use it, rewrite it, adapt it, and most importantly, profit off of it. In the case of F. Scott Fitzgerald’s The Great Gatsby we can see the immediate consequences of that today as the prequel Nick hits the shelves.

It’s actually a new-ish treat to have things entering the public doman, thanks to a 1998 law that amazingly is called the Sonny Bono Copyright Term Extension Act of 1998. At that point in history, Congress was afraid of the nerds on the internet stealing stuff (which … fair but, fanfic and fair use often got around that). The law extended the life of copyrights by twenty years from 75 year to 95, so nothing new came into the public domain for two decades until 2019. This year anything written or created in 1925 is part of the public domain and that’s awesome.

So, what else is joining the public domain this year? So much good stuff. As the Duke University School of Law center for Study of the Public Domain notes, the year 1925 was an incredible year for art and literature. “The Harlem Renaissance was in full swing. The New Yorker magazine was founded. The literature reflected both a booming economy, whose fruits were unevenly distributed, and the lingering upheaval and tragedy of World War I. The culture of the time reflected all of those contradictory tendencies.”

Books from that year include Virginia Woolf’s Mrs. Dalloway, Ernest Hemingway’s In Our Time, Franz Kafka’s The Trial (in German), Sinclair Lewis’s Arrowsmith, Agatha Christie’s The Secret of Chimneys, and many more.

Also joining the public domain are: 

  • Theodore Dreiser, An American Tragedy
  • John Dos Passos, Manhattan Transfer
  • Alain Locke, The New Negro (collecting works from writers including W.E.B. du Bois, Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric Walrond)
  • Aldous Huxley, Those Barren Leaves
  • W. Somerset Maugham, The Painted Veil
  • Dorothy Scarborough, On the Trail of Negro Folk-Songs
  • Edith Wharton, The Writing of Fiction
  • Etsu Inagaki Sugimoto, A Daughter of the Samurai

But it’s not just books entering the public domain, some iconic music is also free of copyright now as well, including some absolutely stunning works by Duke Ellington and Fats Waller and Ma Rainey.

  • “Always,” by Irving Berlin
  • “Sweet Georgia Brown,” by Ben Bernie, Maceo Pinkard and Kenneth Casey
  • Works by Gertrude “Ma” Rainey, the “Mother of the Blues,” including “Army Camp Harmony Blues” (with Hooks Tilford) and “Shave ‘Em Dry” (with William Jackson)
  • “Looking for a Boy,” by George and Ira Gershwin (from the musical Tip-Toes)
  • “Manhattan,” by Lorenz Hart and Richard Rodgers
  • “Ukulele Lady,” by Gus Kahn and Richard Whiting
  • “Yes Sir, That’s My Baby,” by Gus Kahn and Walter Donaldson
  • Works by “Jelly Roll” Morton, including “Shreveport Stomp” and “Milenberg Joys” (with Paul Mares, Walter Melrose and Leon Roppolo)
  • Works by W.C. Handy, including “Friendless Blues” (with Mercedes Gilbert), “Bright Star of Hope” (with Lillian A. Thorsten) and “When the Black Man Has a Nation of His Own” (with J.M. Miller)
  • Works by Duke Ellington, including “Jig Walk” and “With You” (both with Joseph “Jo” Trent)
  • Works by “Fats” Waller, including “Anybody Here Want To Try My Cabbage” (with Andy Razaf), “Ball and Chain Blues” (with Andy Razaf), and “Campmeetin’ Stomp”

And finally, since it was the 20s that film really came into its own, some famous films are also coming out of copyright as well, including Harold Lloyd’s The Freshman and Buster Keaton’s Go West. Also on the list: The Merry Widow, Stella Dallas, and perhaps too fittingly, Lovers in Quarantine.

What are you most excited to see enter the public domain? Will you be publishing your Great Gatsby fanfic for profit now as well? Let us know!

(image: Warner Brothers)

Want more stories like this? Become a subscriber and support the site!

The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

 

Have a tip we should know? [email protected]

Filed Under:

Follow The Mary Sue:

Jessica Mason (she/her) is a writer based in Portland, Oregon with a focus on fandom, queer representation, and amazing women in film and television. She's a trained lawyer and opera singer as well as a mom and author.