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Of Monsters and Mixedness: the Profound Metaphors Within Claire Kohda’s Vampire Novel “Woman, Eating”

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Hulu’s ‘Not Okay’ Review: A Gen Z Cringe Comedy With a Surprising Center

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‘Stray’ Is Such a Purrfect Cat Game That My Cats Meowed Back at the Screen

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Netflix’s ‘Boo, Bitch’ Is a Cute New Comedy Series About Love, High School, and … Being a Ghost?

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‘The Gray Man’ Has Action Stars Ryan Gosling and Chris Evans at Their Best

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Apple TV+ Miniseries ‘Black Bird’ Is a Fascinating Entry in the Fictionalized True Crime Phenomenon

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‘Stranger Things’ Season 4 Volume 2 Will Leave You an Emotional Wreck

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‘To Strip the Flesh’ Trans Manga Champions Living Life for Yourself, Not Your Parents

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‘Only Murders in the Building’ Season 2 Shines With a Surprise Star and More

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‘Elvis’ Review: Austin Butler Is Electrifying in an Otherwise Boring, Overstuffed Biopic

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‘Fruits Basket -Prelude-’ Shows What Came Before Tohru and Kyo, but I Can’t Decide if It Even Needed To

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Netflix’s ‘Spiderhead’ Sucks the Life Out of a Beautifully Weird Short Story

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I Cannot Say Enough Good Things About ‘Lightyear’

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Netflix’s ‘First Kill’ Review: The Pulpy Sapphic Vampire Series Gen Z Deserves

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‘Jurassic World: Dominion’ Is Exactly the Finale I Wanted out of This Trilogy

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‘Obi-Wan Kenobi’ Reminds Us the Power of the Rebellion

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‘Ms. Marvel’ Is a Brilliant Introduction for Iman Vellani’s Kamala Khan

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‘I Want To Be a Wall’s’ Ace Protagonist Only Likes Romance in Fiction, and I Love Her

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The Sacred Text: ‘Obi-Wan Kenobi’ Continues to Bring Emotional Pain to Us All

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‘Code Switch: School Colors’ Is a Perfect Window Into America’s Continually Fraught Relationship With Race

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