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Taiko no Tatsujin: Rhythm Festival Review: A Festival as Welcoming as Ever

By Oct 3rd
Review: ‘My Best Friend’s Exorcism’ Is an Endearing Horror Comedy With Real Friendship

By Sep 30th
Billy Eichner Revives the Rom-Com in the Historic, Heartfelt, and Hilarious ‘Bros’

By Sep 29th
‘Hocus Pocus 2’ Casts a Spell of Nostalgia and Delight

By Sep 29th
Review: Shudder’s ‘Sissy’ Is a Splendidly Chaotic Social Media Horror Comedy

By Sep 26th
Disney+’s ‘Andor’ Brings Us the Gritty Reality of Star Wars’ Rebellion

By Sep 20th
Review: ‘Do Revenge’ Proves That Revenge Is Sweet and Sour

By Sep 17th
‘Katrina Babies’ Hears From the Most Important Voices, Asks One Very Important Question

By Sep 16th
Netflix’s ‘Bee and Puppycat’ Reboot Is Perfect

By Sep 16th
‘Clerks III’ Delivers a Nostalgic Ode to Generation X

By Sep 13th
Review: ‘As Long as the Lemon Trees Grow’ Is a Beautiful and Heartrending Love Letter to Syria

By Sep 13th
Season 5 of ‘The Handmaid’s Tale’ Struggles to Make a Case for Itself

By Sep 13th
‘Don’t Worry Darling’: Visually Stunning Showcase of Florence Pugh’s Power, but Predictable

By Sep 8th
‘Cobra Kai’ Delivers Irresistible ’80s Nostalgia and Karate Action in Season 5

By Sep 8th
‘Barbarian’ Is a Horrifically Relatable Ride From Start to Finish

By Sep 7th
‘JoJo’s Bizarre Adventure: Stone Ocean’ Part 2 Review

By Sep 6th
Review: ‘House of Darkness’ Brings an Ominous, Seductive Twist to a Classic Tale

By Sep 5th
Fight Court: ‘She-Hulk: Attorney at Law’ Reminds Us Whose Show This Actually Is

By Sep 1st
FX’s ‘Little Demon’ Is a Darkly Funny Look at Family Drama, Plus the Antichrist

By Aug 29th
‘One Piece Film: Red Review’: A Spectacle of a Film That Pushes What’s Possible in Shounen

By Aug 29th