Rafael Calas and Daveed Diggs looking confused and taken aback in Blindspotting.

I Will Scream About Oscar Snubs All Day Everyday

Nominate I, Tonya every year.
This article is over 5 years old and may contain outdated information

Recommended Videos

Did the Academy nominating committee watch the same movies I did? Or do I just have better taste than the Oscars? Sure, every year there are Oscar snubs. Last year, I complained because Sebastian Stan as Jeff Gillooly was right there and no one cared, but this year, it seems that all taste has been thrown out the window and people just forgot what movies were good last year.

Remember Blindspotting? That was this year. There is no excuse, Academy. Green Book gets nominated, but Sorry to Bother You is snubbed? Who is out there trying to tear down the great movies of the year but build up the terrible pictures?

My own personal Oscar snubs:

– Nicholas Hoult in The Favourite
– Daveed Diggs in Blindspotting
– Blindspotting
– Timothee Chalamet in Beautiful Boy
– Literally the entire cast of Widows
– Sorry to Bother You was right there
– I’m sorry but Michael B. Jordan
– Sebastian Stan in I, Tonya

Here’s the thing about nominations: They’re all made up. Movies are subjective. Do I think that everyone else loved I, Tonya as much as I did last season? No, I do not. That being said, there is a hierarchy to films. If you’re an Academy Award-nominated director, you’re going to get bragging rights and more money than a director who never had a shot (i.e. a person of color and/or a woman, because it’s Hollywood, and they’re racist and sexist).

I get it; there were a lot of performances and movies to take into consideration this year, but really? The best you could come up with was Bohemian Rhapsody (a movie that isn’t about Queen really at all) and Green Book (a white savior movie)?

When so many of us have such strong opinions about the same performances, it makes it abundantly clear that there was something wrong. Nicholas Hoult had one of the best supporting performances this year, and nothing? Because it was a horror movie, Toni Collette gets ignored?

It’s easy for us all to sit on our computers and complain, but maybe this is a sign that we either shouldn’t put that much stock in the Oscar nominations or that the nominating committee needs a big change. It shouldn’t be a block of men nominated for Best Director when Marie Heller did an incredible job with Can You Ever Forgive Me? and Karyn Kusama had a kickass vision for Destroyer.

We all have our opinions on who should have been nominated for what, but it’s time for the Academy to change things, because I’m honestly so tired of the same mediocre white men getting nominated when people of color and/or women are doing 10x the work and giving us better quality movies regularly.

(image: Lionsgate)

Want more stories like this? Become a subscriber and support the site!

—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—


The Mary Sue is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Rachel Leishman
Rachel Leishman
Rachel Leishman (She/Her) is an Assistant Editor at the Mary Sue. She's been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff's biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she's your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh. She has multiple podcasts, normally has opinions on any bit of pop culture, and can tell you can actors entire filmography off the top of her head. Her current obsession is Glen Powell's dog, Brisket. Her work at the Mary Sue often includes Star Wars, Marvel, DC, movie reviews, and interviews.