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The Mary Sue
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Movies & TV
‘Love Is Blind’ fans are really into one man’s job
By
Aaron Perine
Oct 16th
Netflix made a HUGE deal for people wishing they’d let their films play in theaters
By
Aaron Perine
Oct 16th
The Creature in ‘Frankenstein’ and Barbie are more alike than you’d think
By
Rachel Leishman
Oct 15th
Lee Pace on his masked hunter in ‘The Running Man’: “He’s the one they’re tuning in to see” [EXCLUSIVE]
By
Rachel Leishman
Oct 15th
‘Black Phone 2’ review: Ethan Hawke is Freddy Krueger for a new generation
By
Rachel Leishman
Oct 15th
‘Frankenstein’ review: A gruesomely beautiful look at humanity and playing God
By
Rachel Leishman
Oct 15th
Megan Fox, the Grabber, Mike Flanagan, and more brought fans joy at Blumfest NYCC 2025!
By
Rachel Tolleson
Oct 14th
How that Western-inspired ‘The Walking Dead: Daryl Dixon’ episode came to be
By
Leah Marilla Thomas
Oct 14th
What ‘Chad Powers’ gets right about college in the South
By
Leah Marilla Thomas
Oct 14th
‘Alien: Earth’ is still hoping for Season 2, according to the FX series’ NYCC 2025 panel
By
Leah Marilla Thomas
Oct 14th
‘Chad Powers’ had a perfect “They don’t know what I’m listening to” moment
By
Rachel Leishman
Oct 14th
Oh look, a new thing the most annoying Star Wars fans are angry about
By
Rachel Leishman
Oct 14th
Edgar Wright on bringing nuances to ‘The Running Man’: “I think we have scenes that hopefully have the same emotion” [EXCLUSIVE]
By
Rachel Leishman
Oct 13th
Ryan Murphy’s ‘Monster: The Ed Gein Story’ proves he doesn’t care about victims
By
Rachel Leishman
Oct 13th
Benophie is almost here: Bridgerton Season 4 finally gives us a release date
By
Aaron Perine
Oct 13th
Mr. Robot celebrates 10 years at NYCC
By
Rachel Tolleson
Oct 13th
Danny Ramirez did the funniest possible thing to Glen Powell
By
Rachel Leishman
Oct 13th
Ryan Murphy’s new series is for the ‘Nip/Tuck’ freaks
By
Leah Marilla Thomas
Oct 13th
Anne Rice’s supernatural world took over NYCC with ‘Talamasca: The Secret Order’
By
Leah Marilla Thomas
Oct 13th
Watch Glen Powell run for his life in a new look at Edgar Wright’s take on a Stephen King classic
By
Rachel Leishman
Oct 13th
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