Despite almost universally scathing reviews, Netflix’s Bright has been greenlit for a sequel. Director David Ayer and stars Will Smith and Joel Edgerton are expected to return, but according to The Hollywood Reporter, screenwriter Max Landis will not. Instead, Ayer will script the follow-up.
It’s unclear why exactly Landis won’t be involved, whether it’s because of the numerous secondhand sexual assault allegations that have surfaced against him on social media, because of his reported dissatisfaction with the final film, or for some other reason. In the face of Time’s Up and the general post-Weinstein reckoning, many are speculating that his departure came about because Netflix took the allegations seriously, but there are dozens of other factors which may have led to the decision.
As Bright was gearing up for its Netflix premiere, numerous people took to Twitter to post allegations about Landis. The allegations ranged from sexual assault to emotional abuse to more generic asshole behavior. It’s worth remembering that these are secondhand accounts on social media, rather than fact-checked news stories in a reputable publication, but there were so, so many of them. And Landis, who is usually incredibly active on Twitter, has been radio-silent since around December 22. Below are just a few representative posts.
Landis was paid a reported $3 or $4 million by Netflix for his original script for Bright. With a reported budget of $90 billion, Bright was Netflix’s first attempt at making its own big-budget films. Many other Netflix originals are actually acquired by the company for distribution, rather than created in-house, but Bright was made on Netflix’s budget.
Despite multiple reviews that found it “plenty embarrassing” and “profoundly awful,” Bright has reeled in enough viewers around the world to merit a sequel. It is currently the #1 movie on Netflix in more than 190 countries, and at least 11 million U.S. viewers streamed it during the first three days of release. (Since those numbers come from Nielsen, which only tracks viewers who use Netflix on their TVs, the numbers are likely higher.)
Want more stories like this? Become a subscriber and support the site!
—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—