"Hard Luck Woman" is as good as you all promised. Faye and Ed getting an episode where they got a chance to once again shine was a fitting way to begin the last three episodes of the series.

With only a few episodes to go, Cowboy Bebop continues to impress in it's standalone episodes where the villains are more than they appear.

The real cowboy version of Spike rides into town and Spike isn't too pleased.

Having recently ended its third season, the Australian import <emPlease Like Me is on a hot streak of producing my favorite seasons of television two years in a row. Finding the perfect balancing act of being biting, sweet, and hilariously funny, the show has an effortless charm, appealing to the masses by putting normalcy, (real normalcy, not sanitized normalcy) on-screen.

Jet get's another side plot, this time with an old friends daughter in the lackluster "Boogie Woogie Feng Shui".

Spike is brought to a theme park of horrors as he's hunted down by a mysterious assassin in the series best episode so far.

Spike must help Jet and Faye exact their revenge on a group of space pirates who wreck their ship.

I’m going to start this off as a huge, mind-numbing devil’s advocate, as well as offer up a suggestion to any potential viewers of the steam-punk version of Mary Shelley’s tale in the newest adaptation, Victor Frankenstein.I will not go out my way to say that this is, in any way, a good film. It is not.

The Night Before works wonderfully as a comedy, and its more melancholy moments are also sometimes successful, but the movie has a tough time bridging the two.

We’re spoiled fans because in “Speak Like a Child”-an episode that makes me wish more of the series overall resembled it-we get more of Faye’s backstory, even if it all remains largely mysterious. This is, I think, what I initially expected the series to be like when I first began it.