by Becky Chambers | 12:32 pm, April 5th, 2013
The BioShock games, says creative director Ken Levine, are a Rorschach test. What you see will depend on who you are and what you believe. There are no right answers. When I look at BioShock Infinite, I see three things. I see a masterpiece of video game storytelling. I see a woman who needs rescuing, and who challenges my expectations of what that means. And I see a risky, disturbing exploration of American racism, which led me to acknowledge how ill-equipped I am to say anything on that front at all.
I don’t know how to write about BioShock Infinite. The first two things, yes, I can muddle about those just fine. The third, however, is not a matter I have ever written on, and I doubt that I am the right person for the job. But to leave that aspect out of any discussion of this game would be missing the point entirely. If there’s one thing I’ve learned from BioShock Infinite, it’s that trying to avoid mistakes never ends well. So here goes.
(Minor spoilers ahead.)READ MORE